CartaBella

l'Artista Blog

May 9, 2009
by Bonnie Porter
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My rendition of Monet’s Vase of Flowers, c. 1881-82

I have a new appreciation for painters of the Impressionistic style. To better understand Impressionism, I chose to try to reproduce one of my favorite paintings by Monet. It’s a vase of flowers and we saw it in an exhibit at the Yale Museum of Art when we visited there back in the mid-90’s. Even though I used a smaller canvas (mine is a 12 in. square), and acrylic pigments (not oils), I researched the colors he used and prepared my palette with: Viridian, Permanent Green, Scarlett,
Alizarin Crimson, Cadmium Yellow, Titanium White, French Ultramarine, Cobalt Blue.

Brush strokes were the biggest challenge for me. I tried to imagine what it would be like to be painting en plein air, capturing the light and shadows. The Impressionists’ painting style conveys an effortless technique. But I found it exhausting to try to achieve that look! The complexity of shapes and colors required an intensity I rarely experience when I am painting with watercolor.

Reflecting on this experience, I realize that I responded to the way Monet brought the garden “inside” and captured the shimmering light and rhythm of composition so characteristic of his poetic and expressive landscapes.

April 14, 2009
by Bonnie Porter
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“AFTER VAN GOGH”. Study of one his Sunflower paintings I saw in the Neue Pinakothek art museum in Munich last Spring. One important thing I learned from this exercise is that I needed to use yellow pigments closer to the ones Van Gogh used. I wasted a lot of energy, effort and paint trying to mix/find his yellows!


April 14, 2009
by Bonnie Porter
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“AFTER RENOIR” Vase of Roses, acrylic on square canvas.
Painting with the Impressionists. Studying their techniques and color schemes.

April 13, 2009
by Bonnie Porter
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BEFORE—First, my “studio” gets relocated to the kitchen. Better light and easier access to water. Not to mention the all-weather inspirational view of the pond from my kitchen window!

AFTER—And after adding more dabs of greens and reds and ochre, I’m finally transported to Summer in Tuscany!

It’s April showers now, but I’m dreaming of summer. So I decided to return to my summer in Tuscany theme. Experimented with an acrylic palette on a narrow canvas. I like the thicker paint effect, but wish I had thought to include a “looser” watercolor effect in at least one area of this painting. Next time. . . .

March 16, 2009
by Bonnie Porter
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TORN PAPER PAINTING. Have some papers (magazines, pamphlets, wrapping paper, etc.) waiting to be creatively recycled?

Some time ago, I started sorting my collage papers by colors and values, creating a palette similar to my watercolor palette. Greens and blues are the biggest pile, and I have bright little trays of reds, oranges and pinks, and small boxes of yellows and browns. My stash of printed words (a lot of pages torn from foreign magazines and travel brochures) and maps is beginning to grow like Kudzu and creep out of the boxes on my shelves. Not to mention the overflowing tins of postage stamps and candy wrappers and . . . you get the picture!

Finally the day arrived when I put everything else in my life “on hold” and smiled and waved good-bye to my husband when he went outside to do yardwork. One of my old watercolors of a Tuscan villa needed a new life. Torn Paper Painting seemed to be the perfect solution. So I set up shop and began tearing and sorting and shuffling papers. A jar of liquid starch and an old 1 in. flat brush became my glue tools.

It was so much fun layering papers, playing around with bits ‘n pieces until I liked the emerging effect. Messy. Relaxing. A learning experience.

Warning to heed if/when I ever do this again: My large canvas curled as it dried and I accidentally lost several pieces I had intended to use—they probably ended up in File 13 (the trash).

Let me know if you have a creative paper recycle art project to share.